Eisenstein for the Twenty-first Century
Abstr. due: 01.01.2018
Dates: 21.06.18 — 22.06.18
Organizing comittee e-mail: firstname.lastname@example.org
Organizers: Monash University Prato Centre
Marking the 120th anniversary of Sergei Eisenstein’s birth, this international symposium will examine the legacy of the revolutionary Russian director and film theorist and his continuing relevance to contemporary screen studies. Over the last two decades, our understanding of Eisenstein’s oeuvre and aims has been reshaped by publications and translations of his previously unpublished major theoretical writings (Metod, Musei Kino, 2002; Notes for a General History of Cinema, Amsterdam University Press, 2016; The Primal Phenomenon: Art, Potemkin Press, 2017), while critical engagement with his creative work has been expanded through exhibitions of his drawings and unfinished film projects. New archival research has demonstrated the extent of Eisenstein’s interdisciplinary work and his informal networks of collaborations with artists and scholars from around the world.
This symposium, supported by the Australian Research Council and the Arts Faculty and School of Media, Film and Journalism at Monash University, offers scholars a forum in which to assess and chart new directions for research on Eisenstein’s heritage in the light of the current theoretical challenges and technological advances in film studies.
The symposium program will include: a round-table with Naum Kleiman (Moscow); keynote papers by Professor Ian Christie (London), Professor Joan Neuberger (Austin), Professor Antonio Somaini (Paris); and an audio-visual presentation by Adrian Martin and Cristina Álvarez López (Vilassar de Mar).
We invite proposals for papers and audio-visual presentations that explore Eisenstein’s work from any of the following perspectives:
New publications and translations of Eisenstein’s texts
New perspectives on Eisenstein’s films
Eisenstein and the visual arts
Eisenstein, philosophy and politics
Eisenstein’s writings and media archaeology
Eisenstein’s legacy and new approaches to montage
Eisenstein, cinema and the brain: affect, cognition, embodied perception
Gender and sexuality in Eisenstein’s writings, films and drawings
Einstein’s theory-and-practice and intermediality
Eisenstein, new media and the rise of the audio-visual essay
Mythologizing Eisenstein: Eisenstein as a subject of biopics
Eisenstein’s circle: formal and informal networks of collaborations