Monuments, Museums and Murals: Preservation, Commemoration and American Identity

Страна: Турция

Город: Çanakkale

Тезисы до: 01.12.2018

Даты: 15.05.19 — 17.05.19

Е-мейл Оргкомитета:

Организаторы: American Studies Association of Turkey (ASAT)


The American Civil War may have ended in 1865, but in many respects it is still being fought today, over 150 years later. Ongoing battles over the Confederate flag and the recent Confederate monument controversy suggest that many of the wounds of the war, especially those related to race, class and gender, are still far from being healed. Clearly, what led to the Civil War is still dividing the nation: Americans are not only grappling with a future vision for the country, but are also struggling with the past. What are considered by some to be markers of cultural heritage are for many others painful symbols of the violent history of the United States, a nation that was built on the exploitation of African Americans, Native Americans, Asian Americans and other minority groups. As William Faulkner expresses in his 1951 novel Requiem for a Nun, “The past is never dead. It's not even past.” It lingers like a ghost over the present and the future, haunting Americans and urging them to come to terms with its countless meanings and manifestations.

If “we are what we remember” then who are Americans exactly? Is what we remember just as important as how we remember it? American identity is closely invested in commemoration; national holidays, for example, construct a common past in a country of immigrants without a common past. They help make sense out of distant events, reinforce collective “values” in the present, and theoretically map out a shared future. Yet, those aspects of “history” that are (or are not) chosen for display in a museum, preservation in an archive, depiction in a work of art, or narration in a work of literature also speak volumes about a nation and its people. They remind us that there are always many competing, and often contradictory, histories, and that the past is truly never dead.  

ASAT invites the submission of individual abstracts, panels, and workshop/ roundtable proposals that explore all aspects of this theme. Possible subthemes may include, but are not limited to:

  • Museums, monuments and murals in American literature
  • Preservation and commemoration in American literature
  • (Re)membering, revising, (re)writing, (re)enacting and (re)creating
  • Life writing, (self)documentation, archives
  • The politics of commemoration and memory preservation
  • Public history, art history, museology, archeology
  • Living museums, virtual museums, open-air museums
  • Cultural heritage sites, village restorations, museum shops
  • Fairs, expositions, installations and exhibits
  • Travel, tourism, leisure and cuisine
  • Creators, narrators and interpreters
  • Educators, activists, curators and benefactors
  • Audience (encoding, decoding, re/presenting)
  • (un)intentional forgetting, cultural/historical amnesia
  •  “Authenticity,” (in)accuracy, perception and reality
  • Alternative sites, countermonuments, cemeteries, thanatourism
  • The sacred and profane; myth and legend; memorial culture
  • Ekphrasis, words and images, semiotics, symbols
  • (Social) media, film and visual culture
  • Rituals, rites of passage, holidays and celebrations
  • Material culture, objects, artifacts, antiques
  • Race, class, ethnicity, gender and identity politics
  • Controversy, protest and confrontation
  • Transnational, transcultural and comparative approaches

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