The Iron Curtain and its Legacies: An Inclusive Interdisciplinary Conference
Тезисы до: 10.01.2020
Даты: 03.07.20 — 04.07.20
Область наук: Исторические и археология;
Е-мейл Оргкомитета: firstname.lastname@example.org
Организаторы: Progressive Connexions
The ‘iron curtain’ has come to be associated with a host of social, political and cultural evils perpetrated by the Soviet-backed Communist regimes that ruled countries in central and eastern Europe from the end of the Second World War until the early 1990s. Behind the iron curtain, state control over every aspect of daily life gave rise to corruption, oppression, deprivation, ethnic conflict, censorship, and general atmosphere of isolation from western democracies and a deep paranoia about western hegemony. Nearly three decades after waves of citizen-led democratic revolutions washed over the former Communist bloc, leaving newly independent nations in their wake, the iron curtain and its legacy continues to leave an indelible mark on contemporary geopolitical relations as well as the socio-cultural development of communities affected both directly and indirectly by the breakup of the Soviet Union. Even popular culture reflects an ongoing preoccupation with the iron curtain era, as evidenced by the popularity of television series such as Chernobyl and The Americans.
Of course, it is possible to identify contemporary echoes of the power dynamics that underpinned the iron curtain. Evidence has confirmed reports of Russian meddling in United States elections in 2016 and 2018 as well as in the 2016 referendum on whether the United Kingdom should remain in the European Union. Human rights abuses in Russia and the 2014 annexation of the Crimea by the Russian Federation have triggered international outrage, with the latter action being punished by Russia’s expulsion from the G7. Recent elections around the world have granted power to far-right political parties and political leaders with authoritarian ambitions that are have been compared to the dictatorial regimes that ruled the former Communist bloc countries. In an era where quality journalism is delegitimised, pro-Government propaganda is promoted as ‘truth’, democratic processes are undermined, education and research are marginalised, the arts and other platforms for dissent are neutralised, and laws are enacted to disenfranchise and discriminate against certain groups, we are once again bearing witness to the evils associated with the iron curtain.
At the same time, it is important to acknowledge any benefits that arose from the Communist regimes who took power at a time when post-war Europe was healing and rebuilding itself. Actions that may seem evil when considered in terms of the values and assumptions of Western democracies may be understood differently when viewed from other perspectives. It is therefore important to abandon the Manichean views of good and evil that prevailed during the heyday of the Communist bloc, and instead strive for more nuanced evaluations of the evils of the iron curtain and its legacy.
Accordingly, this project aims to provide a platform for interdisciplinary engagement arising from presentations, papers, panels, workshops, readings, performances, screenings and installations on any aspect of the iron curtain and its legacy. Potential topics for exploration include, but are not limited to:
~ ghost towns (e.g. Chernobyl) and former military basis
~ religion in totalitarian states
~ technology, industry and innovation behind the iron curtain
~ purges, persecution and punishment
~ evil in medicine (e.g. banning of abortions in Romania)
~ dissent, rebellion, uprising
~ diaries, letters, oral histories and personal accounts (Samizdat)
~ education and the role of schools in supporting ‘evil’
~ contemporary tourist attractions and their meaning (e.g. remnants of Berlin Wall, Lenin’s Mausoleum)
~ lessons to be learned from the iron curtain era
~ parallels between the iron curtain era and the contemporary political climate
~ depictions of the iron curtain era in film, photography, literature, music and visual arts