Concepts of Improvisation Between the Two World Wars
Тези до: 01.05.2016
Дати: 30.09.16 — 01.10.16
Е-мейл Оргкомітету: email@example.com.
Організатори: Department of Musicology, University of Basel
This project aims to advance current musicological research in improvisation and art music of the first half of the 20th century. It draws on contemporary discussions about the improvisatory approach to classical performance and the use of extempore techniques in the first decades of the 20th century. Moreover, it seeks to integrate notions of “staged improvisation” and “performativity” discussed in aesthetics as well as in cultural or performance studies.
Call for papers
Suggested topics for the conference might include:
- Staged contingency in music of the 1920s
- Western music compositions that integrate improvisatory and participatory qualities
- Influences of popular, and folk music (e.g. African American popular music, Romani music, music performed by non-literary cultures) on compositions of the 1920s
- The reception of African American music on classically trained composers and performers
- Performance techniques of the “historical avant-garde”
- Performance as a ritual in theatre or ballet music
- Participatory relationships between performer and audience in art music contexts
- Preluding and extemporization techniques in the 1910s-1920s
Although the conference will focus on the interwar period, relevant topics pre-dating WWI are also welcome. The preferred official languages of the conference are English and German.
Веб-сторінка конференції: http://mws.unibas.ch/forschung/tagungensymposien/concepts-of-improvisation-between-the-two-world-wars/