C18-C19 Historical Poetics Symposium
Місто: New London
Тези до: 15.04.2017
Дати: 03.11.17 — 04.11.17
Е-мейл Оргкомітету: firstname.lastname@example.org
Організатори: Connecticut College
The wager of this symposium is simple: historical poetics needs the eighteenth century, and eighteenth-century studies needs historical poetics. For over a decade, a group of nineteenth-century scholars has been practicing historical poetics, building arguments around the core insight that ideas about what poetry is and what it means to make and read it change over time—that these are ineluctably historical ideas. A group of eighteenth-century and Romantic specialists is now asking whether and how this approach applies to pre-1800 poetry. Eighteenth-century verse was produced before lyricization, before poetry as such was equated with the lyric, and its students have long recognized that limited modern ideas about poetry cannot do justice to this period's proliferation of forgotten poets and genres, tropes and terms. Yet old historicisms die hard, and form-minded scholarship in eighteenth-century studies has been uneven in exploring verse that departs from the supposedly universal norms of post-Romantic lyric.
This symposium aims to bring together eighteenth- and nineteenth-century scholars for shared methodological reflection and conversation. How might attention to eighteenth-century verse enrich or complicate recent arguments that de-center the nineteenth-century lyric? What might traditions of historicist reading in eighteenth-century studies bring to historical poetics? How might the latter reshape the former? What does it mean to do historical poetics both before and after lyricization? Symposium participants will explore such questions in a combination of traditional panels, larger roundtable discussions, and interactive seminars about shared readings.
We invite proposals for presentations engaging with historical poetics across the eighteenth and nineteenth centuries. Some papers might pursue inquiries into particular poems, techniques, trends; others might consider historical poetics itself, contextualizing the phenomenon, raising methodological problems, or imagining new critical histories. We welcome proposals for either traditional twenty-minute papers (meant for panels) or shorter methodological position papers (for roundtables). We also welcome expressions of interest from scholars who would like to participate in seminar discussions. All proposals should include a title, a brief (200-word) description of your argument and approach, and an indication of your preferred format.